Three tracks this fortnight, two of which are new recordings.
In the month of January was collected from the singing of Sarah Makem. My original recording of this one baulked at the poly-modal weirdness of the tune and backed it with a simple drone. This time round I’ve fitted concertina chords to it, although the singing was recorded separately.
The second song this week is True Thomas, a Child ballad which I recorded last February. Not all my experiments with drones came off, but this one I still think works rather well – the contrast between the drone and the drumming is particularly strong.
Lastly, this week I’ve re-recorded another song. The Lady Gay wasn’t one of the core 52 folk songs, but another of the traditional songs I put up along the way. This one does have live concertina accompaniment of a rather loud and insistent kind, plus some overdubbed recorder.