AS17: Tom the Barber

This is another Willie o’ Winsbury variant, with the same essential structure as most: King returns from abroad to find his daughter pregnant, he asks who the father is with a view to having him expelled or executed, but on meeting him is so impressed with his good looks that he immediately offers his daughter’s hand in marriage and a share of the kingdom. The consistent final twist is that the daughter’s lover is not only a bit of all right but also loaded, and has no interest in the kingdom part of the deal. It’s a father’s wish-fulfilment fantasy in some ways, although the passage where the King effectively says he quite fancies young Willie himself seems a bit excessive. A ‘Barber’ in this case is probably a Berber, or at least someone hailing from Barbary in North Africa. It’s hard to believe that his skin would have been ‘white as milk’ in the circumstances – but then, it’s not as if your disbelief hadn’t been suspended already.

This version was collected by Cecil Sharp, who seems to have excised the crucial verse; it was a bit racy by his standards. (I’ve put it back in.) I learned it from Tony Rose’s recording(s), although I couldn’t get on with his tune. The tune I use here is essentially the tune to which John Kelly sings Mary Hamilton, although – as with that song – I found it easier to sing it in 4/4 rather than 6/8.

Leave a comment

Filed under Child ballad, folk song, O my name is, Tony Rose, traditional

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s